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Sites of Impact: Meteorite Craters Around the World
Free Ebook Sites of Impact: Meteorite Craters Around the World
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Review
"Gaz's big black-and-white aerial photographs of meteor-impact sites in Namibia, Australia, South Africa, and elsewhere appear prehistoric; with the exception of a crater in Arizona and its attendant industrial sprawl, there are no signs of human habitation. Or maybe these images anticipate the end of history, a time when the earth returns to moonlike desolation, its skies black and its barren surface gouged. Gaz's decidedly lunar landscapes may not be sci-fi fantasies -- he took them hanging out of a hovering helicopter -- but they're almost unrecognizable as our home planet. Magnificent and frightening, they suggest an abrupt beginning and a shattering end. " -- Vince Aletti --The New Yorker, May 20,2009Stan Gaz's big black-and-white aerial photographs of meteor-impact sites in Namibia, Australia, South Africa, and elsewhere appear prehistoric; with the exception of a crater in Arizona and its attendant industrial sprawl, there are no signs of human habitation." --One Piece"Located in relatively barren landscapes, free of forests or other obscuring vegetation, these empty, isolated sites of impact have some of the vast and heartless grandeur that artist Rockwell Kent found in the Arctic, and the magnificent desolation that astronaut Buzz Aldrin found on the Moon. Stan Gaz, the man who trekked around the globe to photograph these places expresses this best: These sites of impact are places caugt between our dreams and reality. They are footprints of the stars, left in the sand for us to explore. They represent simultaneous destruction and creation, death and life, past and future. They are the circle of life, writ large; physically, environmentally, and metaphorically." --Seed"Photographer Stan Gaz had a boyfriend obsession with meteorite craters. He calls them footprints of the stars, and when he stands on the edge of them he feels like hes standing inside a cathedral. When he started talking about photographing impact sites from the air, a friend suggested a remote-controlled camera mounted on a helicopter. But Gaz wanted his camera in his hands, and there was only one way to do that: leaning toward an open aircraft door strapped in only by seat belts." --Utne"To capture the photos, Gaz learned his Hasselblad Superwide out the open doors of helicopters and a small plane over the Arctic, the Southwest, Australia, and Africa. His harnesses, he says, were usually little more than car seat belts, and one time, he looked up to find his pilot sound asleep. But he got the shots, stark black-and-white images that stare down seemingly moments after impact when the world is scattered with ash, when its hard to tell if were seeing the end or just another beginning." --National Geographic Adventure"Earth has 170 documented scars from falling space rocks. A single meteorite can leave a wound as big as 236 miles wide (like South Africa's Vredefort Dome). For his debut monograph, photographer Stan Gaz captured these craters by pointing his 20-pound Hasselblad rig out of helicopters worldwide. The result is this epic and sometimes creepy 85-picture survey in black and white." --Wired Magazine"Sites of Impact not only takes us way beyond photographer Stan Gaz but also rockets us into outer space as we imagine the forceful trajectories of meteorites that have collided with Earth. Gaz's stunning black-and-white aerial studies of these impact craters show us what millions of years look like and how these visible remnants of destruction and decay permit scientists to study and speculate about the planet's geological and biological histories. These craters, in Gaz's words, "are footprints of the stars... the circle of life, writ large; physically, environmentally, and metaphorically." Complementing Gaz's thoughts about the journeys he made for this tremendous project, impact-cratering expert Christian Koeberl outlines the history of scientific inquiry regarding these sites. And Robert Silberman situates Gaz's work in the continuum of landscape photography and its efforts to capture the sublime. Their informative essays provide context for the work, but Gaz's eye for conveying the magnitude of the unknown requires no explanation. These locations existed before language and will doubtless exist well beyond it. Getting lost in Gaz's photographs is an intimidating experience, but they impart a greater respect for the natural world. They remind us of humanity's status as a blip on geology's timeline." --The Millions"Both photography and science libraries will appreciate the full-page, full-color displays in SITES OF IMPACT, a survey of asteroid collision points around the planet. Aerial expeditions by photographer Stan Gaz offers images of the sites in black and white in an outstanding presentation." -- Diane Donovan --The Midwest Book ReviewGaz, a photographer and artist based in New York, took on the task of photographing some of the Earth's major meteorite craters. This oversized volume (10.5x13<">) presents the results, in full-page, two-page, and some fold-out b&w plates of superb quality. The stunning photos are aerial views, some taken from a great distance. Multiple views taken from all angles are included for each site, displaying the craters and their surroundings, and giving the viewer an impression of the power and scale of the impact. Two essays accompany the photos: Christian Koeberl (U. of Vienna, Austria), a specialist in meteorite impacts, writes on the discovery of the craters and their role in the development of the Earth; Robert Silberman (art history, U. of Minnesota) writes on the photos themselves. --Sci Tech Book News"Sites of Impact features 85 astounding black-and-white photographs of meteor-impact sites, large scale, aerial landscapes infused with a child's sense of wonder and an adult's preoccupation with the fragility of life. Like the sites themselves - natural monuments to explosive destruction and concomitant creation - the images speak to the vulnerability of the Earth and the significance of out place in the universe." --Lunar and Planetary Information Bulletin
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Review
"The new book Sites of Impact (Princeton Architectural Press) by artist Stan Gaz brings together 85 gorgeous portraits of "impact sites"--pockmarks on the Earth marking where the planet's been struck by meteorite fragments. In our conversation below, he recounts some of his adventures flying to remote territories, including the time when his helicopter pilot fell asleep while they hovered over a crater..." -- Rosecrans Baldwin
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Product details
Hardcover: 145 pages
Publisher: Princeton Archit.Press; 1 edition (May 20, 2009)
Language: English
ISBN-10: 156898815X
ISBN-13: 978-1568988153
Product Dimensions:
10.6 x 0.8 x 13.4 inches
Shipping Weight: 3.2 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#693,200 in Books (See Top 100 in Books)
The book is principally a photo essay relating to several meteoritic craters of various ages and sizes. The photography is artistic and it is all done in black and white; mostly from elevation. I would recommend this book on its artistic merits. It does not constitute a technical expose' of these impact sites.
I was interested in this book because I worked with D.W. Arthur, a Planetary Geologist with the U.S.G.S. in the 1970's, who was compiling a world atlas of "Astroblemes" (ancient impact structures). As far as I know it was never published. It was much more of a catalog that this book. I had always hoped that it looked more like "Sites of Impact", but it was a "Scientific Work and didn't need to look appealing to the user", to quote Mr. Arthur!!This is a large format, beautiful book with outstanding, artistically created imagery. It does NOT have much technically related text with regard to the 10 selected impact structures, they are well known enough that the geologic information regarding them can be found elsewhere.The images are very similar to images taken of other Solar System members (Mercury, Mars, our own Moon) and give a sense of isolation to the features depicted. I've spent ground time at several of these sites and the aerial views fill in a gap in my knowledge of them.This is an artistic treatment of a scientific subject. It is NOT a textbook of impact sites. There are several other titles that fit that bill.
Great subject, but a heads up for you readers out there. The photos are black and white. Sometimes that can be a plus, giving a ghostly or otherworldly feel, but sometimes it is a minus given the seeming lack of detail and sharpness seen in the living color photos you can see elsewhere, like on the web. (They are on the web...so get them there...here you have something unique) A few are really extraordinary, several very interesting, some far less so, in my opinion. No photographer wows you on every page. The book deals with 10 craters. Only 34 pages are mainly text. (4 pages of this are interesting field notes of the photographer, Stan Gaz, about the experience of doing the project, 10 pages are by Robert Silberman giving an interpretation on the author's photographs, and the other 10 pages by another contributor, Christian Koeberl, giving a brief, but nicely done intro to impact craters in general) The rest of this large dimension coffee table book (over 100 pages more) is composed of photos without much comment. It is not a book you will go to to read about these craters as there is little written about them. It's chief value is in some striking (many aerial) photographs in an ethereal black and white composition, taken with great use of light etc... and then Silberman's thought provoking comments on Gaz's art. You should really, really enjoy this interesting book, more so, I think, if you know what you are going to get in the mail before you open the box expecting color and expansive commentary. I do not mean to talk you out of a purchase, only prepare you for the real treat this book is.
extremely cool pictures.I bought it knowing that is was primarily black and white, but was disappointed nonetheless.its good for the coffee table, but not breathtaking enough to go back to it after skimming through it.
Be aware that this book is an art photography book, not a science book. The brief section by Christian Koeberl concerning meteorites and craters is excellent, but the rest is pure art, including the frontispiece photo of an object purported to be a meteorite given to the artist by his father when he was a child. This object is not a meteorite, and in fact appears to be nothing more than a ball of crumpled aluminum foil. This calls into question the artist's claim that this gift kindled a lifelong interest in meteorites. The story is part of the art, making a very clever package. The photographs are beautiful, and this volume is well worth the price, but internet shoppers not having the opportunity to browse the book may be taken by surprise. If you are looking for something along the lines of Kathleen Mark's "Meteorite Craters" or "Meteorite Craters and Impact Structures of the Earth" by Paul Hodge, this is not it. For the serious meteorite collector looking for a unique and aesthetic addition to the meteoritics library, here it is. If not, save your money for a nice chondrite.
the photography in this book is overwhelming you can feel the sensitivety of each picture. Gives insight to how the author felt growing up. Will share this book with my friends. Thank you
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